Can you identify the mystery poet?

Mystery_Poet
Here’s another poem from “Sad Songs from Hush River” available at https://www.smashwords.com/books/view/471447 offered in recognition of National Poetry Month. I wrote “On the Morn of Your Eulogy” as an exercise using another poem as a prompt.  My poem follows the structure of the original, including that of the title which is something like “On the Eve of Your Departure.”  Alas, I cannot relocate the inspiration and I am unable to credit the writer. Can you help? Do you know who the author and the poem might have been?  Suggestions appreciated.

Tell me you weren’t cracking up,

You had but the one suckling child

and you still held an artist’s brush with confidence

even hope.

 

I promised you by your tired eyes that you were a well-tempered palette.

You promised me by your tired eyes that you were a well-tempered palette.

And all the planets promised both of us by your tired eyes that you still

perceived the colors of truth completely

 

Who could not go on living?

 

My pen will be glad to have been a record,

The brush to have been your lover,

I to have been blessed to touch the hem of your dress

in the quiet of evening.

 

The scout has lost his compass,

The sailor his anchor,

And I — I feel my mind eroding–ragged holes exposing a stormy sky,

That my time too is ticking down

That your daughter is more than a daughter, and the sun is more than a sun.

 

What is the word for tomorrow?

Going to Timmy’s with You

Timmys

(after “Having a Coke with You” by Frank O’Hara)

Going to Tim Hortons with you is better than a drive to Borden, New London, Hunter River, even Ebbsfleet, especially in winter when the roads are drifting in and the RCMP are advising “motorists” -– a word left over from an era when a man wearing a fedora needed an “operator” to complete a call to the woman he thought was his lover—she wore red shoes, but we didn’t know that because all we see of her is in calculated film noir shadows, but wanting a simile, I’ll say the word is left over like cold pizza from the night before.

Coffee with you is better, here in town at a Tim Hortons that both of us could walk to, if we had to, We push the steel and glass door, find shelter from the wind and snow, find warmth, and the only mumble is among three young kids behind the counter, indistinguishable, not that we’re paying any attention, but we feel their infectious camaraderie, or is it the richness of their energy that animates them and becomes us.

And what could be better than an idea growing between us as we stare at the table top remembering the heft the old white porcelain mugs, familiar as cliché. We talk of social media and A-D-D growing in a Petri dish. Your expression, not mine.

What could be better than a bottomless cup and a clock with no meaning, a to-do list left somewhere I don’t know–I’ve looked in my pockets, my wallet–and I wish I had it so that I could check it at the door like a backpack carried into Wal-Mart, or a cashmere coat removed in another film noir and delivered to an officious man at the theatre who hands me a ticket with the number 72 on it. I think of other lists, one once important that fell into the snow and the ink bloomed like a watercolour wash over lettering that tried so hard to be a new language, transcendent and Zen-like as I held it up, lines of calligraphy vertical, the words sliding off like drops of snow-melt that will appear next month, or the month after, on the branches of the would-be forsythia in your back yard.

Time disappears except for that nagging thought vandalizing the back room where I store things like the car keys, sleeping bags, and the notion that I should go to Cornwall for a haircut. But not today. I forgive myself without telling you, because I want you to believe that there is nothing better than being here with you, or so I tell myself as you begin to speak of depression and a change in meds, and it occurs to me that I dropped the once important list that blossomed earlier this morning, and that with an effort I’m not prepared to give, I could reconstitute it. Almost.

What would it be like to look into your eyes without guilt?

What would it be like to see you clearly and to know in that moment of visual penetration, my own clean nakedness, beautiful and soulful, stainless with no implications of dysfunctional sexuality and no hint of that vocal crescendo that is Elvis’s doing it “my way”, or Rufus Wainwright doing it his way, with Cigarettes and Chocolate, but more like Gershwin’s piano concerto in f, the intensity of which is so, so American. In a good way.

And I ask myself, what can you see through a Thorazine glass darkly? Oh that you could dance the dance of Salome, toss down the veils and emerge through all that fog that hangs heavy in the valleys of your discontent. Would you see any sunlight in my eyes?

When you belittle the well-intentioned but ignorant and ineffective efforts of Nameless, our mutual friend, I find myself uncomfortable, feeling the hardness of franchise furniture–when you say, “Why couldn’t she have … I realize that Little League baseball is better, especially in July, in a small town in Massachusetts like Boxborough or Hubbardston, metal bleachers, sparsely populated by eager fathers. The green of the grass is better. The red dust on Zoey’s uniform is better. After he slides into second and wipes his hands on his pants. And it doesn’t matter who wins, even though I’m aware of the cawing of the crows in the background, but apparently it does matter to the punk dad who stands up and yells at the ump, “Take your head out of your ass, asshole. You would have seen that Carl tagged him good. Zoey’s out for Chrissakes.” I want to ask the punk dad just how do you take your head out of your ass when you’re an asshole, but I don’t.

I surface and hear the remnant of the continued complaint, “Why can’t they give her another job, something else to do where she can’t screw up as much … I turn my focus to the couple behind you, sitting in the corner—the middle-aged man and woman who walked in twenty minutes after we did. I know you didn’t notice. I try to imagine their home life, their story.  I see them losing a daughter, and that’s why they don’t care what others think of the way they dress. They’re as comfortable in their attitude as war veterans who join biker clubs. If only I could make you as comfortable in your own skin, say the magic word that would take down that totem print of ‘The Scream’ that hangs over your broken couch, and replace it with a window overlooking the Aegean, which is a far more profound and dramatic act than finding a word that fits more smoothly than “motorists”—a word fluid with soft consonants like ells.

Going to Timmy’s with you is better than writing a poem with the word “motorists” in it, which is why I want to acknowledge this moment, one more occasion of our connect/disconnect, you speaking in the past tense, and me writing, in my mind, in the present tense, and wanting ever so much to believe that my love for you has not diminished.

 

Excerpt from Sad Songs from Hush River. In appreciation of National Poetry Month, this and twenty other poems are available at https://www.smashwords.com/books/view/471447Sad Songs from Hush River

A special award of appreciation to the first readers to write reviews (can be short blurbs) of the book of poetry on the smashwords site.

Sad Songs from Hush River

 

Amblyopia

Amblyopia

Amblyopia, copyright 2015 Paul Vreeland — Undistorted, unaltered and usable home eye test charts for children are available at http://www.eyecareamerica.org.

Autumn cool, edge of ice on the playground puddles

we line up, first grade boys,

the girls on the other side,

waiting the morning bell the big double

doors to open to the red brick school.

Squinting into the light

I am “four-eyes” clumsy

heavy lenses in clear-plastic frames,

an opaque patch

remedial over one eye

so to teach the other one.

A fifth grader, older, bigger,

unconcerned about laws of the line,

comes up to me threatening in his presence.

Behind him, a flamboyant maple

gives up a few more of its crimson leaves,

drops them down

to the collection-in-progress at its roots.

He hawks and blow-guns a thick glob of spit

onto my face, my glasses,

the one clear lens and the opaque patch.

Helpless, I wish a barren wish

for a parent, an adult, a bigger friend

someone to make me clean again,

I remove my glasses, feel the glooey slime

in my fingers,

wipe them on my pants,

and know myself dirty the rest of the day.

Having made his introduction, he seeks me out

on other mornings, asks for my money

and I acquiesce

all my pennies,

even three nickels

sometimes a dime.

Days pass, the maple gives up being flamboyant

and I forget.

until he reappears

I stumble over my discomfort,

like stumbling over the pronunciation of a word

like “sharing” the meaning of which I’m now unsure,

something I thought I had learned.

I choose another, smaller boy;

go to him and ask, “What money do you have?”

No threat, I’m just bigger with a question.

He hands it over like he’s lost a game

and so on other days, I do it again.

One Saturday his mother comes to visit mine.

It has to be her ‘cause I recognize the boy in tow.

I am on the dead grass of the front lawn

watch them coming down the street.

She with an expression of determination and something more,

approaches, and with a wordless glance,

teaches me the feel of shame

before I understand

the reason for it.

My mother greets them at the door

they enter and I am summoned.

Why did I do it? they ask.

So I tell them of the older boy.

And in the telling I learn the feel of another word

long before the spelling.

Then it stops; the other boy no longer seeks me out

all the leaves are gone, we’re in winter jackets now

the skies flat November grey,

a dull-matte diffusion of light,

like heaven might appear

through the patch I am supposed to wear

remedial over one eye

so to teach the other.

Sad_Songs_Capital_B

Excerpt from Sad Songs from Hush River. In appreciation of National Poetry Month, this and twenty other poems are available at https://www.smashwords.com/books/view/471447

A special award of appreciation to the first readers to write reviews (can be short blurbs) of the book of poetry on the smashwords site.